
We’re a creative multimedia
and social marketing agency
We provide social and digital services for artists, record labels, fashion brands, and tech start-ups. Oh, and we even run an online magazine.
Who are we?
We’re Impostor Syndrome and we’re a crack team of digital marketers, music managers, social and brand strategists, content creators, and copywriters.
We’re creative people with analytical, data-driven minds and years of experience across the music and creative industries. We’ve done everything from managing festival-headlining artists and developing cost-efficient organic and paid marketing strategies to growing music publications from nothing to international recognition and overseeing global campaign rollouts across multiple time zones (and with numerous international partners and stakeholders).
More than anything, though, we understand how it feels to be a creator.
We know how much time you’ve spent slaving over your latest project, and we’re acutely aware of how important it is for you to feel like you’ve got a trusted, experienced set of partners to help shape your business and share it with the world. If we’re not doing our best to make that process as easy, pain-free, and transparent as possible, then we’re not doing our job.
What do we do?
Social & Digital Marketing
We help world-class brands and artists promote their projects through a smart (and cost-efficient) pairing of organic and paid digital marketing. We know that every penny counts, and we’ve got experience working with a wide range of budgets; so, whatever your needs, we’re sure we can help.
Creative
Copywriting
Our academically trained writers have spent the last thirteen-and-a-bit years writing for publications like the Guardian, HuffPost, The Line Of Best Fit, One on One, and the BBC, as well as penning more social and digital marketing copy than we could shake a (virtual) stick at.
Brand & Strategy Consultancy
Is your brand in need of a visual refresh? Do you want your latest project to have a shiny new look, while still making sure your social channels are aligned with each platform's best practices? Well, look no further.

How did
this all
happen, then?
Spoiler alert: all of our projects start with somebody saying ‘Hey, wouldn’t it be cool if…?’
Like the time we thought it would be nice if there was a music website whose sole purpose was just to shout about really good music.
So, we started One on One.
(That was thirteen years ago. Thirteen. And, since then, our little music and culture website has reached literally millions of people without us spending a penny on advertising. We don’t know about you, but we think that’s pretty cool.)
And then? Well, it all got a bit out of hand. But you’ll just have to ask us to find out more, won’t you?
Our brands and clients
Case studies
Late Night Tales
There’s a good chance that Late Night Tales is your favourite artist’s favourite record label.
The London-based behemoth has spent the last twenty years inviting the world’s finest artists - including Arctic Monkeys, Bonobo, Jamiroquai, Khruangbin, and Ólafur Arnalds - to curate their ultimate late-night selections, and then pressed them to heavyweight vinyl for the sonic pleasure of their global (and loyal) fanbase.
And then, a few years ago, Late Night Tales invited Impostor Syndrome to handle their global digital campaign marketing and social media management.
Which was lovely, really, for quite a few reasons. It was lovely for us, because we got to work with yet another brand that we adored. And we like to think that it’s been lovely for them too. After coming on board, we spent the next few years working to achieve three key objectives. Firstly, to grow the social following of Late Night Tales (and their sister label, Night Time Stories) through a mix of paid and organic digital marketing and strategy; secondly, to increase fan engagement (and conversion from initial exposure to paying customer) across every channel; and thirdly, to collaborate with the team and their design studio on a complete refresh of the label’s visual identity, including all logos, websites, and social channels.
And as for how it went? Well, we ticked off all three of those goals - and we’re still working with them to this day. So, we guess that it went - and is still going - pretty well.
One on One
Established in 2011, One on One is our in-house digital music magazine.
It was the first ‘thing’ we ever started - and, in many ways, it’s still our baby.
What began as a student’s side-project from a bedroom in Plymouth has grown into an internationally recognised brand that’s reached more than 60 million (!!!) people over the last thirteen years. Oh, and we’ve done it all without spending a single penny on advertising or marketing.
Instead, we focused on what we knew best: creating great content, and building a great product. That’s how we’ve been able to secure exclusive interviews with the likes of AC/DC, The 1975, George Ezra, SOFY, Tom Grennan, Snow Patrol, Keane, and The Kooks, and been invited to review every major UK festival (as well as a ridiculous amount of headline shows). We also made sure that we stayed on top of the latest content and data trends, and kept our ear to the ground for the best new artists to feature.
But do you know what’s even better? This experience of founding, growing, and maintaining a brand across thirteen years’ worth of ever-changing digital landscapes has shown us exactly what it takes to create a brand that endures. Using nothing but our instincts, expertise, and a considerable amount of data-related geekery, we’ve created a durable and scalable global enterprise that’s able to consistently grow as a business year-on-year without once compromising on quality or artistic integrity.
And that, to us, is something to be proud of.
